Painted Resin
Painted Resin
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SD 1984 Godzilla and Pharos Painted Resin Model Kit. Gamera $38.00 |
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Godzilla vs King Ghidorah War resin model Pre-painted $149.99 |
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Godzilla vs King Ghidorah War 100%Painted Resin Statue $159.99 |
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Frankenstein Chris Lee 1/6 Scale Resin Figure Painted From Hammer Films $169.99 |
Is there a way to create a varnish base myrrh gum turpentine / resin?
I'm trying to create a veneer that will go through a painting oil of myrrh, so that the painting has the smell of myrrh. I could rub the dried paint with oil of myrrh, but I want to see if this is possible. Be that most of myrrh gum / resin is dissolved in alcohol, but not sit on top of oxidized oil painting.
I have not used myrrh before but I created varnishes, paints and media on many occasions. As you know it can be used as a varnish by dissolving it in alcohol, to make a proper varnish for paintings I would add oil to the mixture of oil, or other options would be the inclusion of such mixing in other recipes that you like varnish. Mirra can dissolve in essence turpentine, an easy way to find out is to try.
Painting Tips to help you decide what paint to use
How to choose between oils, acrylics, watercolors and pastels
One of the first decisions you should do when you start painting is what type of paint (also called medium) for use. The following information is intended to be informative and help you decide between the most commonly used paints.
What is the painting and what is the difference between each type of paint?
The technical part soon!
The paint is a dispersion of pigments, resins and fillers in a liquid. By varying the basic ingredients of different types of paint can be created.
Oil Paintings
Oil painting as the name suggests contain oil. This is usually a natural plant linseed oil or a synthetic hydrocarbon oil base.
Oil is the carrier used for the pigment and resins (alkyd). The pigments provide the color can be in the form of a dye soluble or insoluble in a powder finely dispersed in the liquid. Different colors are produced from one or more pigments mixed each other. By varying the different amounts, not just different colors but different shades and hues can be produced.
The resin is dissolved in the oil and acts as a binder of different ingredients and that, and also binds to the surface paint is applied.
When the liquid evaporates after application, resin and the pigments remain and form a skin which sticks to the surface of the painting.
Acrylic Paintings
Acrylic paints are similar in composition oil paintings, ie are similar in appearance and contain a liquid carrier, pigments and resins. However, the liquid used is water.
The resin is not the same as in oil paints, because it has to combine with water. The acrylic resin does not dissolve in water but forms an emulsion (Blood forms). When the water evaporates the resin globules coalesce to form a skin. The pigments used must also combine with water and thus are chemically different pigments of the oil.
Watercolors
Watercolors consist of pigments, fillers and water if they are in liquid form, or pigment fair and fill in that are solid. Having no resin component to bind the pigments and form a skin, are based on the surface to be applied to, to be absorbent. A fill is a fine powder that can be used as a carrier for the pigment and provides texture and body.
Pastry
Cakes are a solid paste form of water-color. much less water is used in its manufacture (compared to liquid paints), and water soluble to be used to maintain its solid paste form. Oil base cakes are similar to oil much less used than used in the manufacture of oil paints.
What are the practical differences between different types of paints?
Oils:
• dry slowly allowing time to work and color mixing. The temperature of the air you are working, and the proportion of solvent used determines the drying time
• can be used to produce the texture by building layers
• Once dry enough, it can be painted without disturbing underlying layers
• rich and deep colors that retain their intensity when it dries, so you can leave without end and back again without a change of color
• You can use coarse or fine, soft washes increasing the possibility of different painting techniques
• colors are resistant to fading by sunlight and surfaces can be cleaned of dirt with methylated spirits
• totally waterproof and water resistant to the elements
• require brush cleaner / thinner to clean brushes
• usually applies to non-absorbent surfaces, including pension, wood, coated paper and canvas
Acrylics:
• Quick drying, but still gives you time to work and color mixing. Can it be a disadvantage when working with thick applications in the heat
• less viscous than oil as easy to mix, but tend to produce less texture and brush
• Can be mixed with water or other means / gels that are compatible with water
• You can use thick (impasto) as oils, or diluted paint as waterclours, so it can be used on both absorbent and non absorbent surfaces
• Once dry can be painted without disturbing underlying layers
• Water resistant when dry
• colors dry darker than when applied so can cause problems with color matching if left
• less resistant to sunlight than oils, surface dirt can be cleaned with methylated spirits
• You need water to clean the brushes, but can cause problems if the dry brush before washing
Watercolors:
• mixed with water to give transparent color
• Dries fast requires pre-wetting of the surface in hot environment
• strong tendency to bleed so good for general washing techniques, but can be difficult to define of good
• The transparency makes it difficult to correct mistakes or hide
• colors dry lighter than when applied so can cause problems with color matching if left
• No white watercolor, white paper that comes from working. This can be difficult to produce prominent white High lights or mask unplanned
• Paint can be removed by soaking so it can be useful in some techniques, but can be difficult for use in wet or hot / dry where it is necessary to soak
• Brushes clean up easily with water and dry paint is reusable by adding water
• color intensity is lower compared to other media and tends to bleach in direct sunlight. Problems with the dis-coloration support and the media can occur in wet conditions
• very difficult to clean the surface without damage so it must be protected from the elements under glass or other suitable material
Cakes:
• The colors Mixed media on paper / support by over-laying a mixture or as no drying time
• easy to use and require no brushes
• The base oil pastels can be diluted and mixed with turpentine, or scrapped for reveal the colors underneath, known as sgraffito
• a wide range of colors are available, however, generally a wider range of colors needed to create image compared to other media
• Different brands and pigments tend to vary smoothly as can be difficulties in obtaining supplies from different suppliers
• jobs are susceptible to soft pastels and color stains aid comes from unless precautions such as fasteners or brackets are used to keep glass away from the surface of the frame
Other considerations:
Cost:
• Watercolors are the cheapest yourself established with most budding artists and the beginning of this. However, watercolor requires different techniques to other media and may limit development
• Acrylic is less expensive to buy as oils and can be the bridge between oil and watercolor
• oils are more expensive to buy initially, but a little goes a long way in the paint thinly. Several paintings can be produced from a single tube of each of the colors of the base
Hazards:
Oil Paintings:
Some people are put off by oil paints because the solvents involved, but may be allergic to solvents or not desired, solvents out there when small children are near. However, oil paintings generally contain flaxseed oil as the company air that has little odor and is essentially nontoxic. The pigments are required for oil and not available to cause hazards. thinner and turpentine used as thinner or brush cleaners are flammable and should be used sparingly. However, the volume used is very small and the dangers are much less when compared with the use of house paints. In saying this, low odor versions of the paintings are available.
Acrylics:
Acrylics are the least dangerous, as they are not used solvents and pigments remain bound in the paint.
Watercolors:
It can be dangerous if used pigments traditional because they are not bound by the resin and dried to a fine powder. However, the quantities used are so small that the dangers are very minimal.
Cakes:
Like watercolor, soft pastels but can produce a large amount of dust so care must be taken to minimize the amount you inhale. By example, do not blow in their work to remove loose pastel.
Your choice of paint
Choose what suits you paint. Try them out and soon discover if you enjoy working with her and the results you get or not. If you like certain properties of different paints, you can try working with a mixture of paintings (known as technical mixed) in a painting. The change is both challenging and rewarding.
The above information advice and guidance is understood as the properties of different paints. The only way to know if you like a special paint to try.
About the Author
Ian Antonio is the tutor at Creative Holidays Spain where you can learn to paint or improve your painting skills in the stunning rural landscapes of Andalucia near Ronda. All details can be found at:
www.creative-holidays-spain.com
This entry was posted on Sunday, June 29th, 2008 at 5:23 am and is filed under Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.